Sections of the revised 2007-08 HGCC member handbook are listed below.
Thanks for your interest in the Highland Glen Camera Club!
If you're looking for other photography enthusiasts in the Kitchener-Waterloo area, then you should come out to one of our meetings. The HGCC offers its members a number of ways to improve their photography, see work of other photographers and speakers, get feedback on images, engage in competitions, participate in workshops, get new ideas, and spend time with other people who share their interest in photography.
The club is affiliated with the Canadian Association for Photographic Art (CAPA) and the Greater Toronto Council of Camera Clubs.
Membership and Meetings
Meetings are usually the 1st and 3rd Monday of the month, starting with the third Monday in September and go until the end of April, with the year-end awards banquet in May.
Meetings start at 7:30pm and end before 10:00pm, and are held in the gymnasium at Keats Way Public School, 323 Keats Way, Waterloo.
Please check the website for meeting dates and events.
If you are interested in joining the club, you are invited to come out and try a meeting or two to see if the club is right for you.
Aims and Objectives
Mailing Address
TBA.
Email Address
To contact the HGCC, send email to: hgcc@waterloocameraclub.ca or to hgcc@highlandglen.ca.
History
Since its inception in the late 1960's the Highland Glen Camera Club has seen many changes. The name of the club has been changed at least once and its location three times.
The name Highland Glen was instituted when the club held its meetings in the basements of the Highland Baptist church and Glen Acres Baptist church, on alternating nights.
For many years the club held its meetings at the Albert McCormick Community Centre. The club moved to the Waterloo Community Arts Centre in 2006, and to Rim Park in 2009.
The membership base has fluctuated a great deal since its humble beginnings - the club was begun by a group of six photographers. The current membership now sits at around 50 to 70. The club is governed by a Board of Directors, elected annually by the membership, under the club's Constitution.
The photographic interests of the club members is quite diverse, with favorite subjects including landscape, portraiture, nature, travel, and fine art topics. Moreover, club members utilize a wide range of equipment, from older twin-lens reflex rollfilm cameras to the latest in digital technology. The club offers a variety of competitions and non-competitive events to showcase all three types of media: digital images, traditional 2x2 film slides, and prints.
How to get in touch with the club:
Email: hgcc@highlandglen.ca
The Highland Glen Camera Club's mailing address is:
Highland Glen Camera Club
c/o Tina Dorrans
5 Father David Bauer Drive
Unit 408
Waterloo, Ontario N2L 6M2
Club meetings are normally held the 1st and 3rd Mondays of every month from September through April, with a closing banquet in early May. Club meetings are held in the Gymnasium at Keatsway Public School, 323 Keats Way, Waterloo, ON. Free Parking. Wheelchair accessbile.
Membership in the Highland Glen Camera Club is not restricted. However, a typical member has an interest in photography at some level, whether that interest be in the art of photography or in the craft of making images. The current membership utilize a wide spectrum of tools, from 40-year old twin-lens reflex cameras, to more recent 35mm film SLRs, to the latest in digital SLR technology.
Membership fees
Membership fees for the 2009-2010 season are as follows:
Individual and Family memberships are discounted by $10.00 if paid on or before 5 October 2009.
Members who join the club mid-year enjoy a pro-rated fee schedule as follows:
All membership fees are subject to change.
What are my membership dues used for?
The Highland Glen Camera Club is strictly a not-for-profit organization. However, the club does incur a variety of expenses during the year that are paid for, in large part, by the dues paid by each member. These expenses include:
Other sources of club revenue
The club holds 50/50 draws during guest speaker meetings to raise additional funds, usually for a specific purpose. In addition, the club charges a "guest fee", usually $5.00, to individuals who attend a club meeting but are not a paid-up member.
Privacy policy
The Highland Glen Camera Club is committed to ensuring and protecting the privacy and confidentiality of its members' personal information. "Personal information" includes, at a minimum, your name, address, telephone number, email address, and web site address. Depending on the nature of the club activities in which you participate, additional personal information may be collected as necessary.
To learn more about the complete privacy policy of the Highland Glen Camera Club and our adherence to the Personal Information Protection and Electronics Document Act, please have a look at our online privacy policy.
Thanks for your interest in the Highland Glen Camera Club!
The easiest way to become an HGCC member is to attend one of our club meetings, fill out a registration form with your contact information, and pay your membership fee (the fee schedule can be found here).
Our club meetings are advertised on this website; in addition the complete club program in PDF is available for download. Meetings are usually the 1st and 3rd Monday of the month, starting with the third Monday in September and go until the end of April, with the year-end awards banquet in May.
Meetings start at 7:30pm and end before 10:00pm, and are held at Keatsway Public School, 332 Keats Way, Waterloo.
Acquiring a HGCC web account
Once your membership has been processed, you can either signup for an account on the Highland Glen website, or the webmaster can setup an account for you. As a member, you'll then be able to take advantage of the services provided by the website, including being able to post and comment on images, place a classified ad, or start a blog.
To create an account, click on the Create New Account link on the left-hand sidebar of the main highlandglen.ca page. The User Account page, by default, displays the "Create New Account" tab as follows:
When filling out the new account form, please follow these guidelines:
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| Waiver of Liability.pdf | 11.59 KB |
The Highland Glen Camera Club Board of Directors is comprised of:
An Executive consisting of
and a set of Directors. Directors have no set portfolio, but typically one or more Board members are responsible for publishing the club's newsletter, coordinating in-club and inter-club competitions, coordinating the club's website, acting as liaison with other clubs and with CAPA, and so on.
The term of office for the Board is two years for the President and Vice-President, and one year for all other Board members. No person may hold more than one elective office at any one time.
Meetings of the Board of Directors are held throughout the year, including during the summer months when much of the work for establishing the following year's program is completed. The club's Constitution dictates that a minimum of four Board meetings must be held each year.
2010-11 HGCC Board of Directors
As of 1 September 2010, the Highland Glen Camera Club Board of Directors consists of:
Executive
Directors
President
Vice President
Secretary
Treasurer
Competition Coordinator
Web Site Administrator
Club Activities Coordinator
Club Refreshment Coordinator
GTCCC Representative
Outing Coordinator
Inter-club Competition Coordinator
Goal is to have as many HGCC club members participate as possible.
Goal is to have as many HGCC club members participate as possible.
The Highland Glen Camera Club is committed to ensuring and protecting the privacy and confidentiality of its members' personal information.
Collecting, Holding, and Using Personal Information
The Highland Glen Camera Club may collect, hold, and use members' personal information for the following purposes:
"Personal information" includes, at a minimum, your name, address, telephone number, email address, and web site address. Depending on the nature of the club activities in which you participate, additional personal information may be collected as necessary.
Consent
Your knowledge and consent to HGCC's collection and use of your personal information is important. HGCC relies on your actions as indications of your consent to the club's existing and future personal information collection practices:
You may withdraw your consent to the club's holding of personal information at any time. Your withdrawal of consent will limit the HGCC Board of Directors' ability to provide you with information surrounding club activities.
Third Parties
The HGCC board of directors may disclose your personal information to individuals, businesses, corporations, and other photographic organizations or artistic entities when the board of directors believes that such disclosure is in your best interest as a member of the club.
The board of directors will only disclose that information which is sufficient for the purpose it is required. As an example, we may disclose our mailing address to the Canadian Association of Photographic Art in order for you to receive information or material from CAPA directly.
The board of directors will not knowingly disclose personal information to third parties for commercial purposes. In particular, the board will not disclose personal information for the purpose of telemarketing, unsolicited email, or advertising mailings, or similar business activity.
Right of access
You are entitled to access, with reasonable notice, your personal information maintained by the Highland Glen Camera Club. You may verify this personal information and request that any inaccurate information be corrected. An access request may be made to any member of the HGCC board of directors, orally or in writing.
Limits on retention
The Highland Glen Camera Club will only retain your personal information as long as it is necessary, at most for one calendar year following the end of the HGCC club year (typically in August) if your membership in the club is not renewed. At the end of that period all copies of your personal information will be destroyed.
Protection of your personal information
Your personal information, whether electronic or paper, is maintained by members of the HGCC board of directors. Copies of this information may be kept in personal residences or business enterprises that serve as places of employment. The HGCC board of directors take reasonable measures to protect this information from loss, theft, unauthorized access, disclosure, copying, use, or modification.
Other than the in-club category and theme competitions, the Highland Glen Camera Club sponsors or organizes several other outings and competitions throughout the year.
By submitting images to a competition or other HGCC-sponsored event, the photographer implicitly grants his or her consent to the HGCC for duplication and/or publication of the image(s). Images are duplicated for judging purposes and to retain a record of entries from year to year. The club may also publish low-resolution copies of the images in the club's newsletter, on its web site, or in other media for promotional purposes.
All photographs submitted to any competition must be accompanied by appropriate documentation that, at a minimum, gives the image title, the name of the photographer, and the event or category the image is to be submitted.
In January of each year, the club holds a separate competition for the Jack Battler Creative Trophy. The idea behind the competition is to have members submit creative, rather than documentary, images. Subject matter, and type of media used, is open. Each photographer may submit up to two images to the competition; the trophy is awarded to the photographer with the highest single-image score, with ties broken by the scores for the second image.
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The Hepatica Shoot and Competition is a four-day event held over two consecutive weekends in the early spring. The event was begun by long-time HGCC club members Merlin Becker and Norm Jarvis to encourage the club membership to get out and shoot during the early spring. As such, the competition caters to those members who enjoy nature photography.
Hepatica is a small but attractive woodland flower that grows in high-quality woodland areas. There are several species of hepatica, including the sharp-lobed hepatica (Hepatica acutiloba) and the round-lobed hepatica (Hepatica americana). Sharp-lobed and round-lobed refer to the shape of the three lobes of the leaves. The flowers themselves, usually only one-half to one inch in diameter, are typically blue to lavender, but can also be white or even pink. Hepatica can bloom as early as mid-March, but in Ontario they bloom later, from mid-April to mid-May depending on snow-cover and spring temperatures.
The Hepatica shoot is usually organized for the last weekend of April and the first weekend of May. The site of the shoot varies, but is typically within a one-hour drive from Kitchener-Waterloo, and sometimes takes place on a location near the Niagara Escarpment. Since the shoot takes place so near to the end of the club year, the competition part takes place the following fall; only those images taken the previous spring are eligible for entry. Each photographer may submit at most two images to the Hepatica competition.
Starting in 2009, the club has decided to change the Hepatica competition. Instead of the subject always being the Hepatica flower, each year a different wild flower will be the subject for the competition. The only stipulation, the images have to be created during the same year as the competition. Refer to the current club year program for the subject.
Subject by year:
2009/2010 Season - Trillium - Due Nov. 1, 2010
2010/2011 Season - Dandelion - Due Fall 2011 - see 2010/2011 schedule when available.
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Periodically during the year, members are invited to present a photo essay on a topic of their choice during a regular club meeting.
A photo essay is a set or series of photographs that are intended to tell a story or evoke a series of emotions in the viewer. All photo essays are collections of photographs, but not all collections of photographs are photo essays. Photo essays often address a certain issue or attempt to capture the character of places and events.
In general, photo essays can range from purely photographic works to photographs with captions or small notes to full text essays with a few or many accompanying photographs. When presented at Highland Glen, a photo essay is typically a sequential presentation of still images whose display is limited to approximately 10 minutes. With slide or digital presentations, the essay constitutes a single montage or collage of photographic images, with text or other additions, intended to be viewed both as a whole and as individual photographs. With prints, an essay may be presented sequentially, or the prints may be viewed all at once by setting up an exhibition of the prints in advance.
Slide or digital photo essays are often set to music, though this is not a requirement. Various software packages support slide shows set to music, ProShow Gold being one of the most popular at the present time.
Members of the Highland Glen Camera Club have the opportunity to exhibit their work at the Second Cup Cafe located at the corner of Phillip St. and University Avenue in Waterloo, adjacent to the University of Waterloo.
The seating area at the rear of the cafe has four short (60 inch) walls suitable for framed prints. Exhibitors should note that:
Photo Casino is a social evening that includes dinner at a local restaurant.
Usually held in October, the event is designed as a fun event to permit members to display their work taken over the previous summer. Subject category is completely open.
To participate, HGCC members may bring 1 or 2 unmounted 8x10 prints (colour or black-and-white). The entry fee for participating photographers is $2; spectators may also participate, again for an entry fee of $2.
Each participant at the casino will receive a number of playing cards. The total number of cards dealt will be dependent on the number of prints entered (5 cards per print). Cards will be dealt to participants equally, though because of numbers some participants may receive one less card than others.
Following dinner, all of the prints will be laid out to accept the placement of cards. The basic idea is for participants to vote for their favorite images with their cards, placing at most one card on any one print, face down. Participants should keep in mind that poker values are used for individual cards. If an image already has five cards, then a different image must be selected. Card placement will proceed in round-robin fashion until all participants have placed their cards. At the end of this process each image will have exactly five cards.
Once all of the cards have been played, two additional cards are drawn from the deck. With these two cards, and the five played on each of the pictures, the best five-card poker hand will be created for each picture. The picture with the best poker hand will be declared the winner, with corresponding second and third place prizes.
The "Disposable Camera Challenge" is a non-competitive event. The idea is to challenge participating photographers by "leveling the playing field" so that all the participants utilize the same equipment: a 12- or 14-shot 35mm disposable camera.
At the last club meeting in January, photographers will be invited to enter the challenge and pick up a disposable camera from BJ Photo Labs in Waterloo (located at the corner of Phillip and Albert Streets next to the Parkdale Animal Hospital). The challenge is a theme contest: to photograph a number of specific subjects utilizing that disposable camera. The challenge theme will remain secret until the challenge period begins.
Once the camera’s film is exhausted, the photographer will return the camera to BJ Photo for processing. All of the images will be digitally displayed at a social evening to be held on Monday, 9 February 2009.
There are no prizes or awards for this event.
In-club Competitions
The in-club competition is designed to allow members to enter their images for friendly competition and feedback. Scores for submitted images are used to award a number of trophies and ribbons at the year-end awards banquet, and are also used to evaluate a member's photographic skill through the accumulation of colour dots.
By submitting an image for competition (either in-club, theme, or for an inter-club competition)the photographer consents to the digital duplication of the image by the club. Digital copies of slides and prints are made to 1024 x 768 for projection when competition results are announced; these copies are destroyed at the end of club year. Low-resolution digital copies are retained in the HGCC competition database for record-keeping purposes.
There are two rounds of in-club competition. Within each round up to 6 images may be submitted. There is no need to enter the maximum number of images to participate in any particular round. Members can choose to submit images to either round, or bypass a particular round, at their discretion. However, lack of participation will almost certainly affect their standing in the Photographer of the Year competition (see below).
Each image entered in the in-club competition needs to be assigned a category. The choices available for categories are: Nature, Fine Art, Landscape, Urban, Portraiture, and Other/Photographer's Choice. Images entered in the Nature category must adhere to the rules for nature images as outlined by CAPA. Images can only be entered as digital files.
The In-club competition entry form must accompany images.
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Fine Art images are meant to showcase the aesthetic, design, and emotive/expressive side of photography. Images in this category will not only be judged on technique and subject, but on the overall aesthetic, design choices, and/or success in conveying a message. Abstract/near-abstract/impressionist images, macro, still life, and figure/nude/erotic photography are suited to Fine Art. This category should also be used for images with extensive darkroom or digital manipulation, or things like multiple exposures and montage slides. Unlike any of the other categories, Fine Art images will have their titles presented to the judges.
The idea for choosing a category is to pick the `best fit' for the image. Lots of images will certainly fall on the blurry lines between two (or more) categories. If that happens, look at the main idea or most dominant theme of the image and use that to determine the category. For example, consider a shot of a beach with a sunset, a small starfish in the corner, and a building in the background. While it might be possible to see elements of Nature, Landscape, Urban, and Fine Art, if the dominant theme is the sunset then the category should be Landscape.
The in-club competition co-ordinator(s) have final say over whether an image may be used in a certain category, so if unsure, check first. Even if the co-ordinator(s) allow an image, the judges may use their discretion to penalize the score of any image they feel is not in the appropriate category. If it seems that the category you have picked is a bit of a reach, then you should reconsider your choice.
Ineligible images
The in-club competition co-ordinator(s) may disqualify any image deemed to not be in the most appropriate category. Images rejected for this reason may be re-submitted in a later round in the appropriate category.
The same image, or nearly-identical (to the point of being difficult to distinguish as different) images of the same subject, should not be submitted more than once. The in-club competition co-ordinator(s) may disqualify any image they deem to be too similar, and the judges will be instructed to mark down any images they feel they have seen before.
This category is for natural scenic vistas, sunsets, seascapes, skyscapes, weather, suburban or rural scenes, sea coast, and other panoramic images. Panoramic cityscapes should be entered in this category, while city images whose main subject is not the skyline belong in the Urban category.
HGCC follows the rules set by CAPA for Nature photographs.
In 2008, CAPA adopted the International Federation of Photographic Art (FIAP) nature definition. CAPA's Nature Category rules are as follows:
Nature photography depicts living, untamed animals and uncultivated plants in a natural habitat, geology and the wide diversity of natural phenomena, from insects to icebergs. Photographs of animals that are domesticated, caged or under any form of restraint, as well as photographs of cultivated plants are ineligible. Minimal evidence of humans is acceptable for nature subjects, such as barn owls or storks adapting to an environment modified by humans, or natural forces, like hurricanes or tidal waves, reclaiming it.
The original image must have been taken by the photographer, whatever photographic medium is used.
Any manipulation or modification to the original image is limited to minor retouching of blemishes and must not alter the content of the original scene.
After satisfying the above requirements, every effort should be made to use the highest level of artistic skill in all nature photographs. No composites. HDR (High Dynamic Range) techniques are acceptable as long as the result is what the eye naturally sees.
CAPA Suggestions for Nature Photographers
The story telling value of a photograph must be weighed more than the pictorial quality, but there must be an emphasis on the aesthetic value of the photograph, ie the creation of art and appreciation of beauty - all this within the confines of an accurate record of the subject and the natural environment.
Nature images with an interpretative or pictorial treatment should be submitted in the Other category, and heavily manipulated digital images are not eligible. Scenic vistas, land and seascapes, although natural, belong in the Landscape category. However, the Nature category also includes astrophotographic images where the primary subject is one or more celestial body. Images of pets and other domesticated animals do not belong in the Nature category, and should instead be submitted to the Other category.
Images in the Nature category will be judged not only on composition and technique, but on the specimen(s).
Only images that do not better fit into one of the other categories. For example, pet, sports, night images, advertising, humour, and vintage are conveyable themes that may not easily fit into the other categories. If it seems awkward or a stretch to put the image in any other category, it belongs here.
The Portraiture category is for people pictures. While some other categories may include people, this category should be used if the primary subject is classic portrait, environmental portrait, fashion, glamour, swimsuit, wedding, children, stage, family, and candid images.
Urban images should reflect city life, including architecture, street photography, industrial themes, vehicles and transportation.
In order to simplify the handling of competition entries, the club has adopted the following submission standards. These standards will help ensure consistent judging conditions, allow for consistent identification of the entries, and assist in image handling to ensure the safe return of the images to the photographer. The competition coordinator(s) will do their best to ensure that submissions are handled with utmost care and are returned undamaged; however, accidents can and do occur and members should safeguard sensitive, important images by retaining duplicates if at all possible.
To catalogue image submissions for any particular round, club members should accompany their images with the standard HGCC in-club submission form. Scoring results for each round will be returned to members using a computer-generated report. The submission form is downloadable below and will also be made available to members at club meetings.
Image size
Images should be no wider than 1024 pixels, and no taller than 768 pixels. Smaller images will be displayed at their native size with a black background. Alternatively, you can add your own background (if you want a different colour, for example) to an image to make the final size 1024x768.
Image file format
The recommended file formats are JPGs and PNGs, although the Irfanview software has comprehensive support of different file formats. Files should be under two megabytes (2MB), or 2000KB) in size.
Projector calibration
The competition coordinator(s) will make every attempt to have the digital projector and laptop computer calibrated for the default sRGB colour space, to minimize contrast and/or brightness differences and minimize colour aberration between the club's equipment and your own computer screen. Unfortunately, it is technically very difficult (and expensive) to calibrate projection equipment and some difference is inevitable.
File names
Digital files submitted for the in-club competition must be given names of the form member_title.ext. The file name, which should be filled in on the submission form, need not be the full title of the image. However, the file name should closely match the image's title on the submission form and, at the very least, should be specific enough to differentiate your files. Filenames should be restricted to at most 40 characters in length, and should not contain spaces, accented, or other unprintable characters. Please use underscores to separate the photographer and words in the title in each complete filename. As examples, these would be acceptable file names:
• carolr_lily.jpg
• serged_wine.jpg
• simonac_white_field.png
• franm_subway.jpg
• glennp_boys_at_play.png
• zorans_palm_tree.jpg
• grantg_moon.jpg
Submission of digital images
Image files can be sent by email to one of the following two addresses: submissions@highlandglen.ca and submissions@waterloocameraclub.ca. The mailbox can handle large messages, so you don't need to split them across emails (although the sending side on your end may have its own limit). Putting all the files in a single Zip file is preferred, although if you aren't familiar with WinZip, then just attach the image files individually.
Email submissions should be sent to the above address no later than 4 p.m. the day the images are due. Alternatively, you can burn the image files to CD, and simply submit the CD at the club meeting. In either case the images must be accompanied by appropriate documentation: a completed submission form, or, in the case of email submissions, an email that details the entries in the same manner as the submission form.
For the purposes of this discussion prints are to be considered any reflective media regardless of how it was produced (remembering of course that this is a photographic competition). There is no distinction between digital and conventional prints at this time.
Mounts
Prints must be securely mounted to a firm backing (such as a 4-ply mounting board) that must measure 16 inches by 20 inches. Please, no frames, glass, wires, or clips. Foam core is acceptable though this material is not as robust as other types of backing and may easily be damaged. Entries not the specified size or mounting may damage other entries and will be rejected. Please refrain from adding additional text (such as a title) or other markup to the viewing side of the mount. Prints may be over-matted with a window mat, but the overall thickness shall not exceed one-quarter inch in thickness. Two or more images appearing on the same mount will be considered a single entry.
Identification
Each print should have the following information clearly marked on the back upper right hand corner with:
• the photographer's name;
• the image's title which corresponds to that on the submission form (see Figure\ref{fig:inclub-submission-form);
• the category in which the entry is being entered.
Attaching a sticker (but not just a Post-it note) to the back of a reusable print mount is acceptable.
Print entries will be repackaged after submission, possibly several times. Please do not individually wrap each print yourself.
Mounts
Only slides in 2-inch by 2-inch mounts that will fit into an 80-slide carousel will be accepted.
Identification.
Each slide will have the following information clearly marked on the front of the mount:
Entries must be packaged in a slide box that is clearly identified with the photographer's name.
Example of a properly labelled slide mount is attached.
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Submitted images will be judged by category, so that all of the images in a category, regardless of media, will be evaluated together in the hope of providing greater consistency in scoring. In all cases, the judges’ score is final. The judges are instructed to mark down images they deem inappropriate for the category, even if the image has been accepted by the competition co-ordinator. Poor presentation (improperly matted print, scratched slide, shifted slide mount) will also result in lesser scores.
Ordinarily, each image will be judged only once, by secret ballot. The club owns an electro-mechanical scoring machine expressly for this purpose. However, any of the judges, or the competition coordinator(s), may spontaneously request a re-scoring of an image should there be, in their view, a serious discrepancy in the individual scores. In this circumstance, the judges will be asked to discuss the characteristics of the particular image and acknowledge, or refute, their individual points of view. Subsequent to the discussion, the image will be re-scored, again by secret ballot. There is no requirement that any judge alter their score from the first attempt.
The judges are also asked to provide brief comments on the images they score, with the aim being to give participants helpful feedback. However, due to the sheer number of submissions it will likely be impossible to provide comments on each and every image.
Scoring
Three judges each give an image a score out of 10, so the final score for an image is a number out of 30. Scoring guidelines are as follows:
When a member joins the club, they start in the bottom colour category for scoring, which is yellow. Each colour category requires a certain number of images that have a minimum score before the photographer moves up to the next category.
So, a new member must earn six yellow dot stickers (each from an image scoring 18 points or more) before beginning to earn red colour dots.
Examples
Gail, a fictitious new club member, enters five images into the first in-club competition of the year. For simplicity, let’s label her images A-E. In order, the scores she receives from the judges for this first round of in-club competition are 15, 18, 20, 15, and 25. In this case, two of her images (A and D) are below the score of 18 Gail needs to collect a yellow dot for that image. However, the other three all have scores greater than 18, so Gail has earned 3 yellow dots in this one round of competition. Note that the very good score of 25 with image E still earns Gail a yellow dot. Gail must continue to collect yellows until she acquires a complete set of six, after which she can begin collecting dots of the next higher value (red).
Anouk, another fictitious club member with some experience, already has completed collecting her yellow dots and has accumulated five red dots, needing only one more to advance to green. Her images in this in-club competition round, again labelled A-E, are awarded respective scores of 23, 18, 20, 23, and 28. In her case, the score of 18 is thrown out because it fails to meet the standard for red (a score of 20 or higher). The image with the least score that earns a red dot is image C; this image earns Anouk her last red, as she now has a total of six red dots. The other images (A, D, and E) all have scores that meet the standard for green, so Anouk earns 3 green dots with these images.
The colour dot system helps to provide an increasing challenge for members as they advance in skill, and is used to determine the Most Improved awards. For these awards, the dot categories are combined in pairs to form Beginner, Intermediate, and Advanced:
The photographer in each of the three categories who collect the most dots (that is, are awarded the most number dots for images that meet or exceed the point level of their category in the club’s in-club competitions) are awarded a medal at the end of the year.
Photographer of the Year.
This award, acknowledged with the Baker Memorial Cup, is meant to reflect both well-rounded and consistent photographic skill. Members must submit at least two images in four distinct categories to qualify for Photographer of the Year.
The winner of the award is the photographer with the highest cumulative score of each of their possible 12 in-club category submissions. Images entered in Theme competitions or inter-club competitions do not count towards Photographer of the Year. In the case of ties, consideration will be given to the photographer with the highest score of any eligible image, followed by the second-highest, and so on, until the tie has been broken.
The winner of Photographer of the Year is ineligible for any ‘Best Of Category Awards’ in the same year.
Best of Category.
Available for each of the six categories, this award is meant to reflect the best and most consistent skill within the category. Members must submit at least three images in a category to qualify for the category award. The total score of the best three images in that category will be computed for each photographer, and the photographer with the highest total score will win the award for that category. Ties will be broken, first, by considering the highest score of any image in that category, and second, by considering the second-highest score in that category. If two or more photographers are still tied, the tie will be broken by considering the fourth (and then fifth, etc.) highest scoring image in that category, if more than three images have been submitted to that category by each of the photographers. Finally, if still tied, the tie will be broken by the photographers’ total scores in the Photographer of the Year competition.
Most Improved Photographer.
This award is given out based on the number of coloured dots gained during the year’s in-club competition. There are three categories, and the photographer’s category is determined by the color level they start the club season in. Beginner is for those who begin the year in yellow or red, intermediate is for those who begin the year in green or blue, and advanced is for those who begin the year in silver or gold.
The theme competition is designed to challenge members to shoot specific topics. Scores are used to determine the winner of the theme trophy given out at the end of the year. There are two rounds of theme competition, held in conjunction with the in-club submission dates. In each round, up to 2 images may be submitted, and each round has a different theme topic.
As with the in-club competition, there is no need to submit images to each round in order to participate. Moreover, members may submit simply one image to any round if they so choose.
Ineligible images.
The same image, or nearly-identical (to the point of being difficult to distinguish as different) images of the same subject, should not be submitted to more than one theme round. The competition co-ordinator may disqualify any image they deem to be too similar.
Please refer to the club's current program for Theme subjects and submission deadlines.
Submission details.
Theme competition submissions follow the same submission guidelines as for the in-club competition. Note, however, that entries for the Theme competition are documented on a separate form. The theme competition is judged separately from the in-club category competitions.
Judging.
In all cases, the judges’ scores are final. The judges are instructed to mark down images they deem inappropriate or marginal with respect to the specific theme. However, photographers do have considerable latitude in how they interpret any particular theme.
Scoring.
Scoring is the same as with in-club competitions, although theme competition images do not count towards colour dots, best-of-category awards, or Photographer of the Year.
Trophy.
The Lorne J. Hymers Theme Plaque is awarded to the photographer with the highest scoring theme image from the year. In case of a tie, the next highest scoring images are taken into account.
| Attachment | Size |
|---|---|
| theme_form.pdf | 72.42 KB |
The Highland Glen Camera Club participates in several friendly competitions with other camera clubs in Southern Ontario. Three of these, the Grand Valley Image Battle, the Stag and Swan, and the GTCCC Interclub competition, are described below.
The Grand Valley Image Battle competition is held once a year as an inter-club competition with other clubs in South-Western Ontario. Participating clubs include the Highland Glen, Grand River, Orangeville, Stratford, Halton Hills, Brantford, Fergus, and Woodstock camera clubs. Each club enters 20 images and each photographer is restricted to at most three images. A club's entry can be a mix of digital images or prints, in any proportion. Print submissions must adhere to the same submission guidelines as that for the Highland Glen in-club competition.
This year, the Highland Glen entry will be chosen by the membership at a special meeting in October, just prior to the "Battle". Typically, images are chosen from those that received the highest scores in in-club or theme competitions earlier in the year, or from the year before.
One of the primary functions of the Greater Toronto Council of Camera Clubs (GTCCC) is to organize a friendly competition and exhibition for the many photographers amongst its 24 member clubs. Certificates and ribbons are awarded to both individuals and winning clubs. Submissions are organized at the club level, and are typically due in mid-January, with the judging occurring in late January and the exhibition in early February.
All original images (negatives, transparencies, and digital files) submitted to this competition must have been taken/created after December 31, 2002 (five-year limitation). The competition is open to slide, print, and digital media in the following categories:
Nature Photography depicts Nature subjects, such as animals, birds, plants, geology and phenomena not produced by man. Evidence of the ‘hand of man’ and man’s specialized environment is to be avoided. The accurate record of the subject is the primary objective; however, every effort should be made to use the highest levels of artistic skill in Nature photographs. Photographs of cultivated plants, domesticated and/or obviously controlled specimens, mounted specimens and museum groups are ineligible. Zoo and game farm specimens, butterfly conservatory specimens etc. are acceptable if there is no visible evidence of the hand of man in the photograph.
The photographer, whatever photographic medium is used (slides or digital), must have taken the original image. Any manipulation or modification to the original image is limited to minor retouching and must not alter the content of the original scene.
An entry fee of $1 per image is charged for the GTCCC Interclub competition. Each entrant may submit a maximum of eight (8) images, with no more than two (2) entries in any one of the categories.
All images are eligible for Individual Awards and will be used to determine Club Awards. Additional awards are granted for winning images in specific subject categories (‘botany’ and ‘architecture’ are two examples). However, categories may change from year to year. No individual photographer may receive more than one of the top five awards in any category.
Detailed rules surrounding the Interclub competition change from year to year. The current documents for the competition are attached, but they are likely to change in the coming weeks, immediately prior to the image submission date.
| Attachment | Size |
|---|---|
| 2008 INTERCLUB RULES OF COMPETITION r1.doc | 99.5 KB |
| 2008 INTERCLUB INDIVIDUAL ENTRY FORM r1.doc | 94 KB |
| 2008 INTERCLUB Club Entry Form.xls | 90.5 KB |
The Stag and Swan Competition, begun in 1998, is held annually each spring with the Stratford Camera Club. The clubs take turns hosting the event each year. Each club enters 30 images (any combination of slides and prints). Highland Glen images are chosen by the membership. To encourage broad participation, the usual rule is that any photographer can contribute at most three images to the club’s entry.
Judging is performed by a set of three independent judges, organized by the host club. The winner of the competition is the club with the highest cumulative score.
This year’s Stag and Swan competition will be hosted by the Highland Glen Camera Club on March 15, 2010 at the Granite Club. Additional details to be announced.
At present the HGCC Board of Directors has no plans to organize entries to CAPA (Canadian Association of Photographic Art) at the club level.
However, the Board encourages members to join CAPA as individuals. The Summer 2007 issue of Canadian Camera, CAPA’s magazine, has details on the both club and individual competitions for 2007-8. CAPA competitions accept both slides and digital entries for CAPA multi-round competitions. Digital entries can be submitted through the Post (on CD or DVD) or via electronic mail.
For individuals, there are three open-subject multi-round competitions one may enter:
Each competition consists of three rounds of entries. The closing date for each of the rounds are 30 October 2007, 20 January 2008, and 20 March 2008. Detailed submission criteria and entry forms can be found on the CAPA website (http://www.capacanada.ca). In addition, for individuals there is a two-round theme competition; again, CAPA has opened this competition to accept both slide and digital submissions. The closing dates of the two rounds are 15 November 2007 (theme "trains") and 15 February 2008 (theme "children"), respectively.
Also, CAPA is again holding a ‘postcard’ competition where the entries are actual postcards submitted for entry via Canada Post (entries sent within an envelope are disqualified). There is a maximum of four entries per person, and subject matter is completely open. Postcards will not be penalized if damaged by the mail system (the competition’s instructions stipulate that some damage to each image is expected). A trophy and CAPA silver medal are awarded to the winner, with ribbons to the other top ten placements. Closing date for entries is 1 June 2008.
CAPA is also holding a Creative Photographic Arts Slide and Print Exhibition and a Creative and Interpretative Nature Slide Exhibition in addition to the competitions outlined above. Closing dates for entries are 15 February 2008 and 25 April 2008, respectively. Additional details can be found on the CAPA web site.
Members of the HGCC Board of Directors have copies of Canadian Camera Magazine, and the included competition pull-out section, which will be made available to members at regular club meetings.
Constitution and Bylaws of the K-W Highland Glen Camera Club
Name
The organization shall be known as the K-W Highland Glen Camera Club, operating in the Regional Municipality of Waterloo, hereinafter referred to as "the Club".
Note: The change of name to K-W Highland Glen Camera Club, from simply the Highland Glen Camera Club, was enacted in April 2004.
Objectives
Membership
Board of Directors
Meetings - General
By-laws
Elections
Finance
Duties of the Board of Directors
President
The duties of the President shall include, but not be limited to:
Vice-President
The duties of the Vice-President shall include, but not be limited to:
Secretary
The duties of the Secretary shall include, but not be limited to:
Treasurer
The duties of the Treasurer shall include, but not be limited to:
Directors
The duties of the Directors shall include, but not be limited to:
The club maintains a set of trophies that are awarded to various competition winners and runners-up over the year. Ordinarily the trophies are retained by the winner until the start of the following club year. In addition, winners receive a certificate, together with a ribbon, in an attractive embossed folder as a permanent memento of their accomplishment. At present the club does not have a complete set of trophies for all in-club category competitions.
The Baker Memorial Trophy was instituted as a tribute to two long-time members of the Highland Glen Camera Club, Ray and Marg Baker. The Bakers served the club in many positions during their membership; they are especially remembered for their leadership in helping others develop their own photographic skills.
Ray Baker was employed for many years at Schneider’s in Kitchener, and soon after beginning a well-earned retirement traveled to Nepal with his wife Marg to begin what was to be a lengthy photographic holiday. Unfortunately they both became very ill shortly after their arrival in Asia and Ray quickly succumbed to his illness. Marg Baker was eventually able to return to Canada, but never recovered.
The Baker Memorial Trophy is awarded to the HGCC Photographer of the Year. Prior winners of this trophy are listed below:
| 1991-1992 | Jack Battler |
| 1992-1993 | Peter A. Bisset |
| 1993-1994 | Jack Battler |
| 1994-1995 | Merlin L. Becker |
| 1995-1996 | Merlin L. Becker |
| 1996-1997 | Merlin L. Becker |
| 1997-1998 | Merlin L. Becker |
| 1998-1999 | Bao C. Tran |
| 1999-2000 | Joyce Brant |
| 2000-2001 | Bao C. Tran |
| 2001-2002 | Bao C. Tran |
| 2002-2003 | Bao C. Tran |
| 2003-2004 | Merlin L. Becker |
| 2004-2005 | Glenn Paulley |
| 2005-2006 | Ken Macpherson |
| 2006-2007 | Ken Macpherson |
| 2009-2010 | Tom Jeary |
The Karl Glockemann Nature Trophy is awarded to the winner of the Nature Category of the HGCC in-club competitions. This trophy was presented to the club by Karl Glockemann, an avid hiker and nature photographer. Karl was born in Hanover, Germany in 1931, emigrated to Canada in 1957, and joined the Highland Glen Camera Club in 1968. He was HGCC President in 1972 and 1973 and assisted with growing the club’s membership to over 50. Karl helped start the annual community slide show to generate funds and new members.
Karl's keen eye for frogs and nature earned him recognition worldwide, with over 200 competition acceptances and numerous ribbons and medals from CAPA, FIAP, as well as other competitions in Europe, South America, China, Japan and Russia. Karl holds a 4-Star Award at the Photographic Society of America. After his retirement from active employment in 1990 he has continued to shoot, and present slide shows and nature lectures, in and around Kitchener-Waterloo.
Previous winners of the Karl Glockemann Nature Trophy are listed below:
| 1995-1996 | Norm Jarvis |
| 1996-1997 | Norm Jarvis |
| 1997-1998 | Joyce Brant |
| 1998-1999 | Merlin L. Becker |
| 1999-2000 | Bao C. Tran |
| 2000-2001 | Merlin L. Becker |
| 2001-2002 | Norm Jarvis |
| 2002-2003 | Merlin L. Becker |
| 2003-2004 | Richard Pierce |
| 2004-2005 | Ken Macpherson |
| 2005-2006 | Richard Pierce |
| 2006-2007 | Richard Pierce |
| 2009-2010 | Ted Jeary |
The Art Hiller Memorial Cup is awarded to the winner of the Landscape category in the HGCC in-club competitions.
Art Hiller was a long-time director of the Highland Glen Camera Club who produced the club’s newsletter for many years. Art donated this trophy to encourage and reward club photographers for exhibited ability in pictorial images. Few HGCC members have submitted as many slides for competitions and other club activities as Art Hiller. His images covered a wide variety of travel locations, but Waterloo County received the focus of his attention. Season after season, Art freely produced scores of images with distinction.
Prior winners of the Art Hiller Memorial Cup are listed below.
| 1995-1996 | Sandra Roemer |
| 1996-1997 | Jack Battler |
| 1997-1998 | Bob Newbury |
| 1998-1999 | Joyce Brant |
| 1999-2000 | Sandra Roemer |
| 2000-2001 | Norm Jarvis |
| 2001-2002 | Julie Trip |
| 2002-2003 | Richard Pierce |
| 2003-2004 | Julie Trip |
| 2004-2005 | Jim Blomfield |
| 2005-2006 | Zoran Sekaric |
| 2006-2007 | Larry Martin |
| 2009-2010 | Larry Martin |
The Don Ross Memorial Cup is awarded to the winner of the Photographer’s Choice (other) category in the HGCC in-club competitions.
Don Ross provided the club with this trophy to acknowledge and reward those photographers that may have taken interesting images that do not fit neatly within any specific category. Don served as HGCC President and held various other positions on the club’s Board of Directors, as well as serving as newsletter editor for many years.
Don Ross’s enthusiasm for photography was immense. His images covered a variety of subjects, but architecture was arguably his favorite subject. Architectural images seemed to take on new dimensions through Don’s lens, and his architectural outings were always well attended. Don Ross is remembered as a friendly, helpful individual who made significant contributions to the Highland Glen Camera Club.
Past winners of the Don Ross Memorial Cup are listed below.
| 1995-1996 | Barb Lichty |
| 1996-1997 | Jean Weller |
| 1997-1998 | Norm Jarvis |
| 1998-1999 | Norm Jarvis |
| 1999-2000 | Merlin L. Becker |
| 2000-2001 | Julie Trip |
| 2001-2002 | Annette Twist |
| 2002-2003 | Gee Wong |
| 2003-2004 | Gord Cassidy |
| 2004-2005 | Ken Macpherson |
| 2005-2006 | Richard Pierce |
| 2006-2007 | Adam Gagnon |
| 2009-2010 | Achala Mishra |
The Grant Greenfield Trophy was donated to the club in 2006 in honour of Grant Greenfield’s 25th anniversary of membership in the HGCC. In the following two years, this trophy was awarded to the winner of the Travel category in the HGCC in-club competitions. With the demise of the Travel category, the trophy will be awarded to the winner of a yet-unknown competition.
Grant’s introduction to photography was a Kodak 116 box camera that produced a 2 1/2 × 4 1/4 inch print. Over the years, Grant has collected a variety of cameras and has been a member of several camera clubs in both the United States and Canada. Grant’s favorite photography subjects are the landscapes and landmarks he discovers on holiday around North America. During his association with the Highland Glen Camera Club, Grant has held a variety of positions and has served twice as club President. Grant's volunteer efforts are greatly appreciated by all members of the club.
Past winners of the Grant Greenfield Trophy are listed below.
| 2005-2006 | Jim Blomfield |
| 2006-2007 | Tina Dorrans |
| 2009-2010 | Carol Rawlings |
The Lorne J. Hymers Theme Plaque is awarded to the photographer with the highest cumulative score in the two theme competitions held in conjunction with the in-club category competitions in a given year. Each photographer can contribute up to two images to each theme competition, in addition to the six in-club category images that are submitted at that time.
Lorne Hymers donated this plaque as a tribute to those members entering a competition in which the subject was predetermined. Lorne, employed as an architectural designer, was an avid railway buff in addition to being an accomplished photographer and long-time member of the Highland Glen Camera Club. Lorne continually promoted the idea of theme competitions as a valuable photographic exercise, and theme competitions remain a significant part of the HGCC program from year to year.
Prior winners of the Lorne J. Hymers Theme Plaque are listed below.
| 1993-1994 | Jack Battler |
| 1994-1995 | Barb Lichty |
| 1995-1996 | Jack Battler |
| 1996-1997 | Jack Battler |
| 1997-1998 | Joyce Brant |
| 1998-1999 | Joyce Brant |
| 1999-2000 | Gee Wong |
| 2000-2001 | Gee Wong |
| 2001-2002 | Julie Trip |
| 2002-2003 | Gee Wong |
| 2003-2004 | Julie Trip |
| 2004-2005 | Jim Blomfield |
| 2005-2006 | Ken Macpherson |
| 2006-2007 | Ken Macpherson |
| 2009-2010 | George McDermitt |
The Jack Battler Creative Trophy is awarded to the winner of the Jack Battler Creative Competition.
Jack Battler, born in the Plattsville area, was an amateur watercolour artist who then discovered photography and never looked back. His artistry in nature shots and creativity earned him an enviable reputation in creative photography. To establish greater interest in this type of photography he donated this trophy, which has been a stimulus for the membership’s continued interests in being creative with camera, subject, and light. Jack’s tenacity and ability to visualize alternatives was not limited to photography, but served him well in his career in the Accounting department at a local tire manufacturer, as well as with his volunteer position with the John Howard Society. Jack is fondly remembered for his photographic skills and his contributions to the Highland Glen Camera Club. He passed away of heart failure in March 1997.
Previous winners of the Jack Battler Creative Trophy are listed below.
| 1998-1999 | Joyce Brant |
| 1999-2000 | Julie Trip |
| 2000-2001 | Julie Trip |
| 2001-2002 | Annette Twist |
| 2002-2003 | Annette Twist |
| 2003-2004 | Thelma Beaubien |
| 2004-2005 | Carol Rawlings |
| 2005-2006 | Ken Macpherson |
| 2006-2007 | Bill Johnston |
| 2009-2010 | Bill Johnston |
The Hepatica Cup, donated to the club by long-time members Merlin Becker and Norm Jarvis, is awarded to the winner of the Hepatica Shoot, a competition held over two successive weekends in the spring. This trophy was the first of the Highland Glen Camera Club’s in-club competition awards.
Norm Jarvis and Merlin Becker donated the Cup to stimulate club members to break out of their winter inertia with an early spring shoot. The idea was well received and has become an annual event ever since, with the trophy going to the best image of a hepatica, shot on the designated dates. The challenge with this flower is due to its small size, sensitivity to the sun’s warming rays, its unique color, and a two week blooming window.
Norm Jarvis and Merlin Becker are widely known for their love of nature and photography. They both joined the club in 1986 where their skills in photographing difficult nature subjects was overshadowed only by their enthusiasm for nature photography. They eagerly shared their photographic expertise as well as their wealth of botanical knowledge about their subjects. Over the years both men have held the position of club President and almost all other director positions in the HGCC. Both actively competed in HGCC, as well as nationally in nature categories, generating a highly respected name for the Highland Glen Camera Club within CAPA.
Norm Jarvis became national President of the Canadian Photographic Association of Canada (CPAC) in the early 1990’s, during the challenges involved in crafting a merger with the equally reputable National Association for Photographic Art (NAPA) into today’s Canadian Association for Photographic Art (CAPA). Upon retirement in 2003 Norm relocated to Whitney, Ontario, where he resides, with his wife Pat, a short two kilometers from Algonquin Park.
Previous winners of this trophy are listed below.
| 1989 | Jack Battler |
| 1990 | Karl Glockemann |
| 1991 | Merlin L. Becker |
| 1992 | Karl Glockemann |
| 1993 | Karl Glockemann |
| 1994 | Karl Glockemann |
| 1995 | Merlin L. Becker |
| 1996 | Norm Jarvis |
| 1997 | Norm Jarvis |
| 1998 | Merlin L. Becker |
| 1999 | Paulette Weber |
| 2000 | Norm Jarvis |
| 2001 | Merlin L. Becker |
| 2002 | Barb Hamblin |
| 2003 | Richard Pierce |
| 2004 | Richard Pierce |
| 2005 | Richard Pierce |
| 2006 | Richard Pierce |
| 2009 | Richard Pierce and Achala Mishra |
A second or third-place standing in the in-club and theme competitions also merits the awarding of a certificate/ribbon combination, mounted in an embossed folder, to document the photographer’s accomplishment.
In addition, ribbon/certificate combinations are also awarded to individuals for other accomplishments over the year, as follows:
The most advanced photographer in the four rounds of the in-club category competitions, for each of Beginner, Intermediate, and Advanced standing, receive a medallion.